Haydn talked a lot and (unlike Hogwarts professors) didn’t ask questions, so it was easy to pretend she was listening. At some point he looked at her expectantly, she tried to remember anything he said, but her head was as empty as her stomach was full. Meg had to ask about pickles - the first thing that had come into her mind. When Cornfoot conveniently added an enormous jar of them into his clearly untruthful story, she just had to change the topic. There was still a week of summer left, so she decided it would be easier to get the old lady talking to her than to make veritaserum and feed it to her best friend.
— You always say “next time”, and then we end up doing stuff you wanted all along, - Meg tried to sound angry, but she was clearly faking it. It was impossible to stay angry at Haydn for long. Once, after he slept with Amelia, Meg stopped talking with him for almost a day, but then her patience ended, and she came to squeeze an apology out of him and also to gossip.
She was in no mood to argue about “Twin peaks” anymore, so they were now lying in silence. Occasionally a couple of cars passed along the Caledonian road. In the distance, there was a sound of trains arriving at and leaving King’s Cross station. One more week - and they would leave Islington too. Somehow this month felt like an eternity which has now come to an end. Meg wasn’t sad about it, instead, she was scared as hell.
What was the whole idea behind all that? Was there any idea at all? Going back to Hogwarts, seeing Oliver again, not even acting as a prefect, but as a Head Girl - would all that make any sense? Somehow a TV-show, even the weirdest one, seemed easier to grasp.
— You know… - Meg awkwardly hugged Haydn’s arm, and his tattoos crept away from her touch like wary animals.
— Th… - She wanted to thank him, but it sounded too miserable in her head and, well, surely he knew she was grateful for... everything? Letting her stay, sharing food, couch, clothes, listening to her whining about Cartwright and not even laughing too hard… Meg bit her lip, trying to hide a sudden wave of self-pity.
— These bets, are you sure we can't rig them? Some money would be nice, - she chuckled, trying to swallow a lump in her throat, and hugged Haydn even tighter. A piece of sky visible from Thornhill Bridge Garden turned rusty orange. It was probably a good time to return to "Spelled Ink".
That night, when Haydn was already sleeping, Meg grabbed his tablet and found the first season. The two hours flew by, and soon Meg, to her surprise, discovered that she needed a cherry pie, a new sweater like Audrey’s, and to understand how all this came to the shit she watched with Haydn earlier.
In the morning, when they all drank coffee downstairs, and Lee asked why she looked so dead, Meg muttered only “that was damn good” and crawled back into Haydn’s room. It could look like rigging some bets, but Haydn was right, it won them nothing.
Two days later she finished the whole show, and it did make sense. She wanted to tell Haydn, but it would have proven him right again, and Meg couldn’t let that happen. Instead, she spent the day neatly unsticking his bird drawings from the ceiling. It turned out to be hard as hell, but also seemed like a good way of saying thank you without saying anything at all.
When there were three more days before school her couch gave up and returned to its pile-of-clothes form. It happened in the middle of the night, and the Cat, that slept on her neck and hated being disturbed, scratched her mercilessly. She crept into the bed, whispered “thanks” and smiled happily, hearing inconsistent muttering with a clear “fuck off and let me sleep” message hidden in it. She would have kicked herself out of the bed in his place. Why and how did he tolerate her presence? Is was more of a mystery than Laura Palmer’s murder.
Some things didn’t make sense at all. They just were in her life - and she was grateful.
Отредактировано Margaret Palmer (2020-03-06 22:03:21)